Gwyn Hanssen Pigott
Sand still life 1994
wood fired porcelain
Shepparton Art Museum, Sidney Myer Fund Australia Day Invitation Ceramic Award
Still life (painted vessel) 2011
archival inkjet print on Eterna Elite paper
48 x 35 x 6 cm framed
Edition 4 of 5
Courtesy of the artist and BREENSPACE, Sydney
Photograph: Andrew Curtis
© the artist
Emma White’s installation of highly colourful photographs of Fimo (polymer clay) objects play with still life traditions.
Her work is displayed alongside a Gwyn Hanssen Pigott still life installation of pottery, highlighting both artist’s interest in processes of making and the passing of time.